Did anybody think the Pattinson Batman movie unnecessarily dark? And I don’t mean in tone, I mean just flat-out: isn’t it ever daytime here? Or, does it ever stop raining?
No, after seeing it, I couldn’t imagine it being any other way.
And given Matt Reeves’ influences for the movie…
He set about a ton of reading and was blown away by the comic Batman: Year One, the 1987 four-issue run by writer Frank Miller and artist David Mazzucchelli, that showed a young and in-turmoil Bruce Wayne figuring out how to be a be a vigilante. The tone is detective noir, the violence is street-level and nasty, and you will search in vain for a feat of superhero derring-do or a groaning Mr Freeze “Allow-me-to-break-the-ice”-style pun. Calling Batman: Year One realistic would be a stretch. But it is somewhere near as realistic as a comic book about a mentally dubious loner who puts on a disguise and begins hunting criminals come night. This proto-Batman underestimates his opponents, gets shot by the police, and his costume doesn’t fit. (It’s great, and it happens to be my favourite comic book.) Other influences on Reeves included New Hollywood classics from the 1970s: The French Connection, Chinatown and Taxi Driver. Also, Kurt Cobain.
“Early on, when I was writing, I started listening to Nirvana, and there was something about [Nevermind song] ‘Something in the Way’, which is in the first trailer, which is part of the voice of that character. When I considered, ‘How do you do Bruce Wayne in a way that hasn’t been seen before?’ I started thinking, ‘What if some tragedy happened [ie: Wayne sees his parents murdered] and this guy becomes so reclusive, we don’t know what he’s doing? Is this guy some kind of wayward, reckless, drug addict?’ And the truth is that he is a kind of drug addict. His drug is his addiction to this drive for revenge. He’s like a Batman Kurt Cobain.”
The French Connection, Chinatown, Taxi Driver, and Kurt Cobain.
Yeah, it makes perfect sense why the movie was the way it was.
Funny, I never even thought about the Kurt Cobain “influence.” But now that I think about it, Robert Pattinson’s Bruce Wayne and Batman is a little Kurt Cobain-ish.
Anyway, seemingly always nighttime and seemingly always raining fits this take on Batman to a tee. And this was a Bruce Wayne who doesn’t really go anywhere, and people almost never see him for I guess weeks or months on end. So there was no real need for any daytime scenes – and I’m trying to think: the funeral scene and the ending may have been the only daytime scenes.
The almost always raining I thought was really cool. No one has ever done that before in a Batman movie, so that set The Batman apart too. And of course rain and Batman go great together.
I hope it’s almost always raining in the HBO Max Penguin show too.