This is my first time reading Superman Smashes the Klan as I missed it’s first publication run and I am very happy to now be immersed in it. I see a lot of members already commenting on the same aspects and moments, so my apologies for any repetitions. However here are my thoughts on Periodical #1!
As always, we want to see your favorite art and moments! There were plenty of times our eyes welled up…We would love to see your screenshots, or even just a description, of your “Best Of” panels in the comments below!
Superman Smashes the Klan is an incredible display of how powerful sequential art can be. Even after the first periodical you can tell that this is one well designed book. I really enjoyed the use of red word balloons with red letters to convey when they are speaking Cantonese.
One of my two favorite art moments involves a quiet scene, when Roberta’s mother tries to help her daughter get used to her new surroundings by saying “If you learn enough secrets about a place, it becomes home.” It’s not only a great line from Gene Luen Yang but well displayed by Gurihiru.
My second favorite moment is really a thought provoking reveal. It’s already been pointed out many times from the other responses I see, but I still need to mention it here. It’s of course when we see Chuck wearing his Superman shirt for the first time, AFTER the cross burning incident and before Uncle Matt decides to kidnap Tommy.
It’s easy to use Superman as a storytelling tool to display the polarities of good or bad or black and white. Especially in many of the early stories he’s been used as an oversimplification. But here, with Chuck wearing that shirt, it shows you that this book is going to wade in complex, murky waters. It’s telling you that even if we have drastically different viewpoints we may still admire the same things.
I really find Chuck to be the most interesting character so far and I am really looking forward to seeing his complete story-arc. I do wonder if it’ll end up good or bad but seeing him wear that shirt reminded me that he’s still just a kid. He’s going to have some really confronting choices to make and you can already see from the first periodical that he’s already struggling and conflicted. I do hope he makes the right ones.
I really really enjoy Gurihiru’s sequential art and character designs. It makes the more shocking and adult themed moments resonate a lot more I think. I’m not sure what I was expecting just from the covers I’ve seen, but it’s been a very rewarding experience so far.
There are many references to characters’ jackets, coats, and capes. What ties the symbolism of all their clothes together? How do characters use their clothing to convey their personal story?
I think it’s not so much as using clothing to convey their personal stories but rather to demonstrate the importance and the power of being in clubs. Whether it’s belonging to something good like a baseball team or something bad like the Klu Klux Clan, we tend to be attracted by groups. The main difference between a club and a family is that, in most cases, a club is something that you choose, or are expected to choose based on your current environment. However, a very powerful moment was when the mother and father are outside talking to Detective Henderson, with Clark Kent sitting next to Roberta…and Roberta narrates “I can’t believe Dad took the time to put on his lab coat.” I think that lab coat was meant to convey not only to Henderson and to anyone perhaps passing by at that moment, but also to himself that he still has his dignity intact and that he has worth.
Even if you decide to move somewhere else you still carry with you your own unique identity.
Do you think this story would be received differently if it was set in modern times, rather than in the 1940s?
Probably. This is commercial art after all so I do understand how the publisher might not want to have it set in our current time for the fear of the story being criticized of being too preachy or politically correct, especially in this time when everything seems polarized. And thus potentially hurting sales and not getting the message to where it needs to go.
I always felt that putting these issues in the past has the danger of emphasizing the naivety that racism is a thing of the past. Or only the highly uneducated are racist. Which of course isn’t true.
However, I do think having it being set in the 1940’s does have some advantages. Being from the Midwest, I was not aware of the Klu Klux Klan being so active in California, especially terrorizing Asian Americans. I always thought the KKK was a problem of the south and didn’t really gain longevity anywhere else. Also, I really enjoyed Yang’s commentary at the end of the book where he dives into a bit of history to give this story some context. I believe SSTK was published under DC’s Young Adult line of books, and was weirdly surprised that I learned quite a lot from this.
Also, as a Superman fan I must admit it’s a lot of fun getting a Superman from the 1940’s, when he was leaping instead of flying and running on telephone lines to get from one place to another. It’s a Superman that I’m not used to seeing very much. Furthermore, through this different power set, it’s not only a cool nod to that part of Superman’s history as a character, but also it allows Yang to make the characters around Superman to have more of a sense of vulnerability. In this world Superman just can’t get to someone instantaneously anymore in order to help them. Now it takes time. And that brings a sense of danger to the story, especially when things are getting dicey for our characters.
And that’s it for Periodical #1! Hopefully this wasn’t too long and I’m really enjoying this and can’t wait to read the next two. I knew this would be a great and emotional read. But so far it’s exceeding even those expectations!