Hello, Seduction of the Innocent is a part of comic book history and I find myself wondering how many people have read it. My answer is that I own a copy but have only read parts of it. I’m also wondering if it is even known to a lot of fans.
First time making a poll so let’s see if I do it right.
I’ve heard of it but never read it! Had that old guy had wrote this in the 90s, he probably would’ve attack video games instead of comics. I’ll admit the book kind of got my curiosity, but not going too, since I’ll be disagreeing on what he say about Superman, Batman, Wonder Woman and other heroes at that time.
I haven’t, actually, but I have read The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, which talked about it a lot. What’s funny is that what I think most people know about Seduction of the Innocent and the “comic book scare” is Batman and Robin, but a lot of horror and crime comics really were super over the top back in the day. Lots of nudity and decapitations on the covers to get people’s attention (and money).
Yeah. I reread parts this morning and it’s so much more about crime and crime/horror books than sexuality. And even in that chapter a large portion is about sadism. Several times in the Batman and Robin portion he points out that they have a well decorated home with flowers.
I also have serious questions about the sample size and sample population. In parts I have read, he references patients with some intense maladaptive behaviors and psychological profiles which I personally believe skews his findings.
I also own Ten Cent but haven’t read it. I have such good intentions with the books I buy. I have a desire to learn that is quickly turned off and I go back to escapism.
I go back and forth with my reading. I keep telling myself to stop checking things out from the library and read the books I actually own for a while, but I inevitably think of reading something else and end up with 10-20 library books at a time.
Kindle has also changed me. The act of holding an actual book while in bed is annoying and a lot of nonfiction books are large. “Scott died when he accidentally dropped a dinosaur encyclopedia on his face.”
That was my feeling but now I think I’m going to try again from the perspective of history of psychology. I’m a school psychologist and while I question his approach and conclusions there’s still something interesting in there.
I do think it’s interesting to read books like that just to understand their historical impact. But at the same time, there are so so many books I’m eager to read it’s hard to make myself read something I’m not really interested in.
I’m not sure what your opinion is and you specifically asked people to not comment so I didn’t. I bring up it’s more focused on crime than sexuality because it is. I think a lot of people associate it with the sexuality piece and don’t realize how much the crime piece is covered.
It’s funny to think how many people believed Wertham’s nonsense. Years later a lot of his work has been disputed on the basis he falsified facts to suit his point. If I had a time machine, I’d go back in time and bring him to the future so he could see how big comics and comic culture is; that everything he worked toward ultimately backfired and now he’s only remembered for being wrong.
I have read parts of it, Wertham enacts bad critical thinking that conflates correlation with causation and cherry picks evidence to support his interpretation of the text. Although many comic fans do the latter as well.
I think part of the problem with discussing comic book history is how often problems are viewed externally, rather than internally, usually because it comes from the mouths of executives practice unethical business transactions. The common discourse in discussing comics in the 60s is that Marvel bought comics to “real life” therefore they were seen as more mature than their DC counterparts because they deconstructed the superhero tropes. The fault of DC failures was due to what the audience perceives as immature writing. However, that ignores the context of the conditions the writers were working under while working for DC, and how their editors stifled them creatively.
A similar discourse arises when talking about the Comics Code Authority. People usually fully lay the blame on Wertham’s Seduction of the Innocent, and while that certainly played a role, they ignore how companies such as Archie and DC were actually the ones who created the code. They also used that influence to kill off competition such as EC comics. The code also limited the creativity for the writers working at DC, which lead to its decline. Yet another way DC shot themselves in the foot.